A few nice celebrity busted images I found:
Image from page 157 of "A history of the earthquake and fire in San Francisco; an account of the disaster of April 18, 1906 and its immediate results" (1906) 
Image by Internet Archive Book Images Identifier: historyofearthqu00aitk Title: A history of the earthquake and fire in San Francisco; an account of the disaster of April 18, 1906 and its immediate results Year: 1906 (1900s) Authors: Aitken, Frank W Hilton, Edward Subjects: Earthquakes -- California San Francisco Publisher: San Francisco, The E. Hilton Co. Contributing Library: New York Public Library Digitizing Sponsor: MSN View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: Postal, on Market street near Montgomery, thechief operator sent this bulletin: The city practically ruined by fire. Itswithin half block of us in the same block. TheCall building is burned out entirely, the Ex-aminer building just fell in a heap. Fire allaround in every direction and way out in theresidence district. Destruction by earthquakesomething frightful. The City Hall Domestripped and only the frame work standing.The St. Ignatius Church and College areburned to the ground. The Emporium is gone,entire building, also the Old Flood Building.Lots of new buildings just recently finishedare completely destroyed. They are blowingstanding buildings that are in the path offlames up with dynamite. No water. Itsawful. There is no communication anywhereand entire phone system is busted. I want to get out of here or be blown up.Chief Operator Postal Telegraph Office.San Francisco, Cal., 2:20 P. M. Meanwhile some messages were going out fromVallejo and nearby towns, and wireless items were Text Appearing After Image: to u V 13 CO >. u(d uO a e So f 154 THl x<ELIEF started forth to whatever office would take them.Efforts were made to reach Washington by Manilacable. Toward the end of the afternoon residentsfleeing in automobiles reached working telegraphs,and sent out their frightened versions of the dis-aster. Thus in various ways the news went forth. Everywhere prompt action was taken. For thetime business was at a standstill. Relief committeeswere appointed, funds collected, supplies donatedand purchased. Public subscriptions were raised.Newspapers became the depositories of funds.Benefit performances were given. Oranges, papers,and such articles were peddled at special prices hypopular celebrities. In Los Angeles a woman raiseda goodly sum by calling for contributions, at the topof her voice, on a crowded street corner. In Wash-ington a little boy spent his spare time for weeksselling postal cards. He raised .47â€"as large anoffering in a way as the 0,000 sent by one of thegiants of Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Fountain 
Image by the justified sinner Gloriously overblown fountain on Glasgow Green dedicated to James Martin, the philanthorpic socialist, not the vile "celebrity chef" who drives recklessly, injures cyclists and somehow or other gets away with it despite bragging about it publicly in a column in the fascistic Daily Mail. Cast by Walter McFarlane's Saracen Ironworks. The central section should be surmounted by a bust of Martin but in typical glasgow shitty council style, it has been "lost". That is shorthand for "stolen by one of the corrupt members of the council". Taken with Panasonic 20mm f1.7 lens on Panasonic GH2.
Image from page 247 of "The grandeur that was Rome; a survey of Roman culture and civilisation:" (1920) 
Image by Internet Archive Book Images Identifier: grandeurthatwasr00stobrich Title: The grandeur that was Rome; a survey of Roman culture and civilisation: Year: 1920 (1920s) Authors: Stobart, J. C. (John Clarke), 1878-1933 Subjects: Publisher: London, Sidgwick & Jackson Ltd Contributing Library: Internet Archive Digitizing Sponsor: Internet Archive View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: ull of them. We saw j in an earlier chapter how the old Etruscans had placed terra- , cotta portraits of the deceased upon their tombs, and how the i old Romans preserved wax images of their forefathers for use • at funerals. Most primitive peoples have an instinctive dread I of portraiture as a sort of blasphemy. Perhaps the early ] growth of facial portraiture at Rome was helped by the worship i of a mans genms, his luck, his spirit, his guardian angel, iThe genius naturally was depicted in the likeness of the man himself. So the imagines in a Roman atrium were no mere \ portraits of defunct ancestors. Rather they were visible pre- Isentments of invisible presences. Unfortunately very few unquestionably genuine examples of republican portraiture \ have survived. Portraits of ancient celebrities were freely | constructed at all times, and it is not easy to date them. We j have not at Rome as we have in Greece a clear line of artistic i * Plate 18, Fig. i. \ Plate i8, Fig a. ] 156 i Text Appearing After Image: LAST CENTURY OF THE REPUBLIC development which enables the trained archaeologist to dateany asual work of art to within half a centu^^ ^^ ,%!We It is now a question of employing more or less skilfulrreek; I is probable that most of the portraits alreadyms rated in this book were executed under the C.sars orater The only really ancient portrait of Juhus Caesar ishe black basalt bearded head in the Barracco Museum aRome, but the two fine portraits ^^^uced here from heBritish Museum* and the Vaticanf are copies of realisticoriginals. In each case the modelling of the eyes disprovestheir antiquity. There is another very fine black basalthead of Julius in Berlin, but its attribution has been questioned.It certainly corresponds very closely with the profile of thedictator on his coins.J The bust of M. Brutus may also beidentified by comparison with the coins. That of Cicero isprobable but not so certain. , . , . This art of realistic portraiture, then, is claimed as thegreat contribution of Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
